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Book
Pierrot
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Year: 1960 Publisher: London : Hutchinson,

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Pierrot : a critical history of a mask
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ISBN: 0691063745 9780691609430 9780691063744 Year: 1978 Publisher: Princeton, N.J. Princeton University Press

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Pierrot
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ISBN: 069110235X 0691609438 1400857066 9781400857067 9781306993494 1306993490 Year: 2014 Publisher: Princeton Princeton University Press

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Robert Storey's lively and gracefully written study of Pierrot is the first scholarly history of this fascinating popular figure. Unlike previous studies of commedia dell'arte characters; this book focuses as much on Pierrot as a literary metaphor and mask as on the roles and dimensions of his stage character.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


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Gilles ou Le spectateur français
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ISBN: 207075619X Year: 1999 Publisher: Paris Gallimard

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Pierrot fin de₋siècle, ou, Les métamorphoses d'un masque
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ISBN: 287736089X 9782877360890 Year: 1990 Publisher: Paris Libr. Séguier

Pierrot : Melancholie und Maske ; [anlässlich der Ausstellung "Pierrot - Melancholie und Maske" im Haus der Kunst, München, 15. September bis 3. Dezember 1995]
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ISBN: 3791314351 9783791314358 Year: 1995 Publisher: München New York Prestel

Pierrot-Watteau : a nineteenth century myth
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ISBN: 3878089481 Year: 1984 Volume: 32 Publisher: Tübingen : G. Narr Verlag,


Book
Pierrot/Lorca : white carnival of black desire
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ISBN: 1782045422 1855662965 Year: 2015 Publisher: Woodbridge, Suffolk : Tamesis,

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Academic research has paid little attention to the importance of the figure of Pierrot in García Lorca's imagery and, above all, in his literary and personal life. An image of marginality and failure, Pierrot was soon taken over by Spanish intellectuals of the early twentieth century as a representation of the bohemian spirit and, corresponding to his marginal status in matters of love, as a symbol of furtive desires experienced by those whose sexuality had to remain silent. Consequently, García Lorca, as Pierrot, needs a mask to cover his identity, facing perpetual failure in his relentless pursuit of the other. As can be seen already from the poems, prose and plays of his youth, García Lorca outlines in Pierrot his innermost self, a trend that will continue in the aforementioned series of drawings and some of his major pieces, such as El público. Pierrot / Lorca: White Carnival of Black Desire aims, from a multidisciplinary perspective, to open new critical readings of both García Lorca's work and some episodes of his life; as with, for example, his relationship with Salvador Dalí, which can be presented in theatrical terms: Harlequin (Dalí) / Pierrot (García Lorca).

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